Another ticket booked – teamLab Planets

I wasn’t entirely sure that I should go to this art experience in Tokyo, until someone on YouTube changed my mind. She gave more information about one of the founders, Toshiyuki Inoko, and why his view on art inspired her. That had my interest peaked. (ദ്ദി˙ᗜ˙)
The website of the venue has just a small summary, which does not give the full insight to the team behind teamLab.

The following is taken from their wikipedia page.

TeamLab (stylized as teamLab) is an international artist collective created by an interdisciplinary group of artists formed in 2001 in Tokyo, Japan. The group consists of artists, programmers, engineers, CG animators, mathematicians and architects who refer to themselves as “ultra-technologists”. TeamLab creates artworks using digital technology.

History
TeamLab was founded in 1998 by Toshiyuki Inoko and Shunsuke Aoki while they were studying at the Faculty of Engineering, University of Tokyo. They did so in collaboration with three other friends with engineering backgrounds: Sakai Daisuke, Tamura Tetsuya, and Yoshimura Joe. The interdisciplinary group was officially incorporated when Inoko graduated from the university in March 2001.

TeamLab initially made little profit, but began to grow its reach through the creation of websites and smartphone applications, as well as office and store designs for outside corporations. In 2011, artist Takashi Murakami invited the collective to make its debut at the Singapore Biennale. When they received some success he invited them a second time to his gallery Kaikai Kiki in Taipei later that year, which ended up being their first big break in the artworld. The exhibit was titled “We are The Future” and was featured around artists who focused on art-technology integrations.

In 2014, the New York PACE Gallery began to help promote TeamLab’s work. TeamLab organized its own exhibition in Tokyo in 2015. Since then a variety of other museums have gotten involved with TeamLab in both positive and negative ways. In 2020, TeamLab has sued MODS (Museum of Dream Space) for allegedly imitating its artwork and violating its copyrights. They have been fighting a legal battle for two years.

Technological Art: TeamLab’s Impact
The idea of interactive art has existed as far back as the 1960s, relatively old when discussing modern art. It has recently been rediscovered and explored by technologically based artists[18], sometimes labeled as the Ultratechnologist Group. Some immediate related examples in terms of interactive installations as well as techno-art integration work includes Omega Mart, Other World, Transmediale, and FILE, all of which strive to bring the audience into the art and challenge the traditional gallery space.

TeamLab exhibitions specifically use EPSON digital technology. EPSON works through a series of touch reactive areas, projected images, and pre-coded/animated reactions. In this way, the gallery space’s behavior is dependent on the viewers inside it to function and create cohesive interactive moments.

The popular interpretation of TeamLabs work is that it is intended to show the relationship between nature and artificial creations, immersing the recipient’s body in an interactive world.

As there are two exhibitions in Tokyo, I have deviced to visit the Planets one as it conclude in 2027. If I find time in my itinerary, I might go to Borderless too.
teamLab Planets TOKYO DMM.com in Shin-Toyosu, Tokyo, was opened to the public on the 7th July, 2018 and has an exhibition period until the end of 2027. It comprises four large-scale artwork spaces and two gardens. People go barefoot, both as a means to allow the viewer to ‘immerse their entire bodies in the vast artworks’ and because there are artworks in which the viewer enters the water.

Because the water can go up to the knees, I will be bringing some shorts while the venue does provide free rental for shorts up to size 6L. ✧。٩(ˊᗜˋ )و✧*。
This is going to be an exciting art experience.

Fair warning: please buy the tickets through their own website. I see tickets being offered through third party but they are not accepted by the venue as they are reserved on name.
I’ve seen people say they have been refused entry with third party tickets. The official website is not complex at all.

Rainbowholic physical shop is back!

In July, Rainbowholic announced they were closing their physical cafe/shop in Tokyo and I was feeling a bit sad. I had put a visit on my Tokyo itinerary because their stationery is top-notch. And now I find out they have re-opened a much bigger store called Rainbowholic Stationery Land. ✺◟(^∇^)◞✺

You get of at Komagome station, on the Yamanote Line. Which means I am lucky cuz Ikebukuro is also on the Yamanote line. 🚃 And a short walk away from the station.
I already checked the neighbourhood and there is enough shrines to explore and cafes to relax at.

When I am in Japan it is nearing Halloween, and I don’t think they do anything for Halloween because that is a Western thing, they do have some cool stuff to do with Yokai. 👺

Yōkai (妖怪; Japanese pronunciation: [joː.kai][1]) are a class of supernatural entities and spirits in Japanese folklore. Yōkai are a vast range of beings, including shapeshifters, ghosts, demons, and tricksters. They can be mischievous, helpful, or malevolent, often appearing as animal-like figures, possessed objects, or humanoids. They embody the mysterious and uncanny aspects of nature and human emotions

And I saw that Rainbowholic has Yokai for their September pledge. I hope I can get a sticker sheet when I visit.

I am just so excited for them that they have a physical location again. I wished I could run my own stationery store here in the Netherlands but alas rent is too steep for stickers and titbits. (╥‸╥)

Pokemon Kanto Park

I was a bit on the fence if I should get tickets only to find out I should have entered the lottery in July. .·°՞(っ-ᯅ-ς)՞°·. BUT, I am staying until November so I signed up on the only full day I had for the lottery. I checked how many people signed in and it was busy as fuck so there is a big chance I won’t make it. (╥﹏╥)

This is one of the few lottery visits I have squeezed in my itinerary. I might try to get a slot for the Pokemon Café but those won’t open until the 1st of September.

When I got Pokemon Blue in 1998, I was smitten with Bulbasaur. He has been my favourite ever since. While some other Pokemon are starting to grow on me like Ditto and Trubbish. ⸜(。˃ ᵕ ˂ )⸝♡ His is called Fushigidane in Japan and with his little vines he is the cutest. No one can beat my bubbisaur. My hubby was sooo sweet to bring me this plush from the Nintendo Store NYC during his trip. This is the soda pop line and it is freaking cute. (˶>⩊<˶)

If I manage to get tickets, it will be a bit of a journey with switching two trains and the last leg with the bus or gondola. Greater Tokyo is huge, you should keep that in mind.

Fingers crossed I get a ticket, the results will happen by the end of this month.

And remember stay whimsical, embrace cringe. Fuck GenAI and flip a table.
(╯˙ᵕ˙ )╯︵ ┻━┻

Pretty Guardian Sailor Moon

With my Tokyo trip coming closer every day, less than three months! ✧。٩(ˊᗜˋ )و✧*。 I needed to plan what I want to see or do. Sadly, a lot of things that are popular in Japan, needs reservations months in advance.
I am not in the mood to fight over tickets for Pokemon Kanto, the Disneys or the Gibli Museum. I went to Tokyo Disney Sea in 2006 when it wasn’t that popular yet and I feel fine not going this time. When my hubby will come with me to Japan, he will be my support for these crowded spaces. I don’t want to freak out in a park, all by myself.

But I did not want to go to Tokyo and have no special things reserved and after seeing almost all Japanse Insta posters go to the new Sailor Moon show, I needed to buy my own ticket.

I got a S seat which mean I will have the high-five send off with the Silver Sailor Moon team actors on a Tuesday evening. I am soooo looking forward to this as I saw Sailor Moon at a young age when it was broadcasted on German and Turkish television. The Netherlands sucks as an anime fan, and the Dutch dubs are horrible. (¬`‸´¬)

My drink will be Sailor Uranus, I am such a big fan of her. She is my spirit animal.

Roll on October, I want to pack my bags and leave! It has been 20 years since I was in Japan.

And remember: embrace whismy, stay cringe. Fuck AI and flip a table.
(╯˙ᵕ˙ )╯︵ ┻━┻

After 20 years finally returning to Japan

No, haha I am not going to live there but just visiting. Intially we had planned that we would go visit in 2020 but then shit hit the fan and the whole world trapped in a pandemic. Further down the line the invasion of Ukraine made flying to Japan from Europe much more difficult, as it wasn’t the first time Russians had shot an commercial airplane from the sky.

After a complete shit year of 2025, suffering from a burnout I wanted to do something for me and I told my husband as soon as I was able to score tickets to a Blythe event in Tokyo, I would be going to visit.

Luckily for me getting tickets to Be Summit wasn’t that difficult. Flights and a hotel were a bit more difficult. October is a very popular month to travel to Japan and I was going solo this time. Another difficulty arose when I was diagnosed with sleep apnea in December and I cannot live without my CPAP-device. Normally as a solo traveller I do not mind sharing a dorm with other women but my device needs a safe spot and I cannot keep packing it up and sticking it in a locker for over two weeks while I am out and about.
So the quest for an affordable single room was on. The flight was not that hard as I chose to not fly with KLM. Everytime I have flown with KLM the past 10 years, shit happened and they cancelled atleast one flight on me, making me spend extra money on extra nights in hotels or missing a night in a hotel because my flight was delayed. So here is to you KLM, fuck you. Royal Dutch Airlines my ass, Royal pain in the ass more like it.

Found a hotel in Ikebukuro, the part of Tokyo I was aiming for. Shibuya was too busy and Ueno was to expensive for a solo traveller.

Ikebukuro

I have been to Ikebukuro 20 years ago but I was in the middle of a messy break up, forced to travel with my ex and I hardly remember anything from that trip. I’ve completely blocked out that part of my life. So my 2026 trip is also an attempt at making newer and happier memories. Fun fact: after finding about the existente of Blythes and ball jointed dolls in Japan, I started to collect them and have been a collector for 20 years. 🙂

Why did I chose Ikebukuro? Well it was closer on the way to Nakano where my event will be, there is a direct Limosine bus from Narita and it has a bit of both new and retro vibes feeling. Sunshine City is a class place to shop and have fun. While it is far away from the other attractions, I have 14 days to sightsee. Which will be hopefully plently enough time.

I do plan to take a few day trips from Tokyo, to Yokohama and Kamakura. I want to see the Snoopy Museum, Kewpie Museum and the newly renovated Edo Museum (I saw this one 20 years ago). Furthermore a visit to Tower Records and Malto is a must as I have a few CD’s I am looking for.

Yokohama
Kamakura
Snoopy Museum
Kewpie Museum

I might change my itinerary depending on the weather and ticket availability but I am really looking forward to returning. A bit scary travelling by myself that far, last time was to the US years ago.