Another ticket booked – teamLab Planets

I wasn’t entirely sure that I should go to this art experience in Tokyo, until someone on YouTube changed my mind. She gave more information about one of the founders, Toshiyuki Inoko, and why his view on art inspired her. That had my interest peaked. (ദ്ദി˙ᗜ˙)
The website of the venue has just a small summary, which does not give the full insight to the team behind teamLab.

The following is taken from their wikipedia page.

TeamLab (stylized as teamLab) is an international artist collective created by an interdisciplinary group of artists formed in 2001 in Tokyo, Japan. The group consists of artists, programmers, engineers, CG animators, mathematicians and architects who refer to themselves as “ultra-technologists”. TeamLab creates artworks using digital technology.

History
TeamLab was founded in 1998 by Toshiyuki Inoko and Shunsuke Aoki while they were studying at the Faculty of Engineering, University of Tokyo. They did so in collaboration with three other friends with engineering backgrounds: Sakai Daisuke, Tamura Tetsuya, and Yoshimura Joe. The interdisciplinary group was officially incorporated when Inoko graduated from the university in March 2001.

TeamLab initially made little profit, but began to grow its reach through the creation of websites and smartphone applications, as well as office and store designs for outside corporations. In 2011, artist Takashi Murakami invited the collective to make its debut at the Singapore Biennale. When they received some success he invited them a second time to his gallery Kaikai Kiki in Taipei later that year, which ended up being their first big break in the artworld. The exhibit was titled “We are The Future” and was featured around artists who focused on art-technology integrations.

In 2014, the New York PACE Gallery began to help promote TeamLab’s work. TeamLab organized its own exhibition in Tokyo in 2015. Since then a variety of other museums have gotten involved with TeamLab in both positive and negative ways. In 2020, TeamLab has sued MODS (Museum of Dream Space) for allegedly imitating its artwork and violating its copyrights. They have been fighting a legal battle for two years.

Technological Art: TeamLab’s Impact
The idea of interactive art has existed as far back as the 1960s, relatively old when discussing modern art. It has recently been rediscovered and explored by technologically based artists[18], sometimes labeled as the Ultratechnologist Group. Some immediate related examples in terms of interactive installations as well as techno-art integration work includes Omega Mart, Other World, Transmediale, and FILE, all of which strive to bring the audience into the art and challenge the traditional gallery space.

TeamLab exhibitions specifically use EPSON digital technology. EPSON works through a series of touch reactive areas, projected images, and pre-coded/animated reactions. In this way, the gallery space’s behavior is dependent on the viewers inside it to function and create cohesive interactive moments.

The popular interpretation of TeamLabs work is that it is intended to show the relationship between nature and artificial creations, immersing the recipient’s body in an interactive world.

As there are two exhibitions in Tokyo, I have deviced to visit the Planets one as it conclude in 2027. If I find time in my itinerary, I might go to Borderless too.
teamLab Planets TOKYO DMM.com in Shin-Toyosu, Tokyo, was opened to the public on the 7th July, 2018 and has an exhibition period until the end of 2027. It comprises four large-scale artwork spaces and two gardens. People go barefoot, both as a means to allow the viewer to ‘immerse their entire bodies in the vast artworks’ and because there are artworks in which the viewer enters the water.

Because the water can go up to the knees, I will be bringing some shorts while the venue does provide free rental for shorts up to size 6L. ✧。٩(ˊᗜˋ )و✧*。
This is going to be an exciting art experience.

Fair warning: please buy the tickets through their own website. I see tickets being offered through third party but they are not accepted by the venue as they are reserved on name.
I’ve seen people say they have been refused entry with third party tickets. The official website is not complex at all.

Master Setting Pokemon

I started this year with collecting Pokemon cards again, I had given away my collection from when I collected in 1998. I think I quit after Team Rocket came out. After that my relationship crashed, stuffing me with a huge debt and I lost interest in collecting as I had to pay shit off.

At the beginning of this year I came across some streamers and fell in love with the illustration cards and started to look in to how much it would cost me to collect the cards with art I love. Welp, I knew scalpers were crazy when the news hit about the rampant storming of the Pokemon merchandise at the Van Gogh Museum. I was looking in total disgust how grown people, started foaming at the mouth to get their hands on Pokemon items to flip for triple or quadruple the price online. Also the gifted Pikachu card is sold online for insane prices.

I had to displeasure to deal with scalpers when it came to releases from Volks in the doll community. Some lowlife paid people to stand in line to get limited release dolls to later flip online to people who weren’t able to get any because of these rotten scalpers.
I have no love or scalpers, Reddit has no love for scalpers and because some Pokemon cards go for insane prices, criminals target them. Looking at you, Logan Paul, you larper-trash.

My own collections are steadily growing with me going through big bulk from online sellers or physical store. If it is too expensive, they can keep it. ٩(ˋᗣˊ*)و

My favourite artists I am trying to master set are: Yuka Morii 56/273, Asako Ito 21/36 and Tomokazu Komiya 25/278. I don’t know if I every will complete the Yuka Morii and Tomokazu Komiya sets as there are many rare and expensive cards in it. The various Ditto cards are super rare of the Morii set.
But it is fun when you find a card that you do not have in your set yet. Exhilarating even.

Because the Japanese, Korean and English version of the Snivy & Venusaur GX is too expensive I opted for the Italian one. Found a lightly played version of the promo and I am so happy to have this full art in my binder. The same seller had quite a few old cards that I still didn’t have in the Yuka Morii set, some having a poor quality but a steal for €0,50. ( ˶°ㅁ°) !! Making my set now 56 cards obtained of the 273 out there.

My poor hubby knows nothing of Pokemon and I am slowly filling him in to the wonderous world of Pokemon, he has watched me play Pokopia and starts to recognise some characters like Pikachu, Bulbasaur and Ditto. Even when I was flipping to my binders, he remarked I know that trashbag, pointing to Trubbish.

I doubt I will get him crazy for Pokemon, but he is sweet enough to join me on my quest for cards or plushies.

Again, I am hooked. 〜⁠(⁠꒪⁠꒳⁠꒪⁠)⁠〜

Rainbowholic physical shop is back!

In July, Rainbowholic announced they were closing their physical cafe/shop in Tokyo and I was feeling a bit sad. I had put a visit on my Tokyo itinerary because their stationery is top-notch. And now I find out they have re-opened a much bigger store called Rainbowholic Stationery Land. ✺◟(^∇^)◞✺

You get of at Komagome station, on the Yamanote Line. Which means I am lucky cuz Ikebukuro is also on the Yamanote line. 🚃 And a short walk away from the station.
I already checked the neighbourhood and there is enough shrines to explore and cafes to relax at.

When I am in Japan it is nearing Halloween, and I don’t think they do anything for Halloween because that is a Western thing, they do have some cool stuff to do with Yokai. 👺

Yōkai (妖怪; Japanese pronunciation: [joː.kai][1]) are a class of supernatural entities and spirits in Japanese folklore. Yōkai are a vast range of beings, including shapeshifters, ghosts, demons, and tricksters. They can be mischievous, helpful, or malevolent, often appearing as animal-like figures, possessed objects, or humanoids. They embody the mysterious and uncanny aspects of nature and human emotions

And I saw that Rainbowholic has Yokai for their September pledge. I hope I can get a sticker sheet when I visit.

I am just so excited for them that they have a physical location again. I wished I could run my own stationery store here in the Netherlands but alas rent is too steep for stickers and titbits. (╥‸╥)

Pokemon Kanto Park

I was a bit on the fence if I should get tickets only to find out I should have entered the lottery in July. .·°՞(っ-ᯅ-ς)՞°·. BUT, I am staying until November so I signed up on the only full day I had for the lottery. I checked how many people signed in and it was busy as fuck so there is a big chance I won’t make it. (╥﹏╥)

This is one of the few lottery visits I have squeezed in my itinerary. I might try to get a slot for the Pokemon Café but those won’t open until the 1st of September.

When I got Pokemon Blue in 1998, I was smitten with Bulbasaur. He has been my favourite ever since. While some other Pokemon are starting to grow on me like Ditto and Trubbish. ⸜(。˃ ᵕ ˂ )⸝♡ His is called Fushigidane in Japan and with his little vines he is the cutest. No one can beat my bubbisaur. My hubby was sooo sweet to bring me this plush from the Nintendo Store NYC during his trip. This is the soda pop line and it is freaking cute. (˶>⩊<˶)

If I manage to get tickets, it will be a bit of a journey with switching two trains and the last leg with the bus or gondola. Greater Tokyo is huge, you should keep that in mind.

Fingers crossed I get a ticket, the results will happen by the end of this month.

And remember stay whimsical, embrace cringe. Fuck GenAI and flip a table.
(╯˙ᵕ˙ )╯︵ ┻━┻

Pretty Guardian Sailor Moon

With my Tokyo trip coming closer every day, less than three months! ✧。٩(ˊᗜˋ )و✧*。 I needed to plan what I want to see or do. Sadly, a lot of things that are popular in Japan, needs reservations months in advance.
I am not in the mood to fight over tickets for Pokemon Kanto, the Disneys or the Gibli Museum. I went to Tokyo Disney Sea in 2006 when it wasn’t that popular yet and I feel fine not going this time. When my hubby will come with me to Japan, he will be my support for these crowded spaces. I don’t want to freak out in a park, all by myself.

But I did not want to go to Tokyo and have no special things reserved and after seeing almost all Japanse Insta posters go to the new Sailor Moon show, I needed to buy my own ticket.

I got a S seat which mean I will have the high-five send off with the Silver Sailor Moon team actors on a Tuesday evening. I am soooo looking forward to this as I saw Sailor Moon at a young age when it was broadcasted on German and Turkish television. The Netherlands sucks as an anime fan, and the Dutch dubs are horrible. (¬`‸´¬)

My drink will be Sailor Uranus, I am such a big fan of her. She is my spirit animal.

Roll on October, I want to pack my bags and leave! It has been 20 years since I was in Japan.

And remember: embrace whismy, stay cringe. Fuck AI and flip a table.
(╯˙ᵕ˙ )╯︵ ┻━┻

Little sparks of joy – part 1

In the past people would speak about having a guilty pleasure when it cames to hobbies that other people would frown upon. Collecting dolls was something that belonged in the realm of old ladies and little girls but grown women? Not likely perceived as a hobby for them. I would feel unease to talk about my collection but over the years I stopped caring about someone’s opinion. I like dolls, I collect dolls and I will dress them up for fun. Like my good friend would say, it could have been drugs when we buy something that might seem quirky.

It is also a form of escapism, self preservation. If I didn’t have this I would be yelling at the TV or computer screen: “How can you treat other people like that?!” And boy with the state of the world today you need your little sparks of joy to keep you from going nuts haha.

One of these sparks for me is Licca-chan. I came across these adorable little fashion dolls during my firs trip to Japan in 2006. In a corner of the toy section in a huge department store, the name of which escapes me for the moment. And I think for all the fashion dolls outthere, Licca-chan is the most wholesome. She is cute, has a great fashion sense and doesn’t warp little girls minds into impossible beauty standards.

Licca-chan in a custom made one-of-a-kind furisode.

Fashion dolls aren’t something of the last century, they may have been in use as early as the 14th century. European royal courts in the 16th century to show the tactile qualities of fashion which could not be incorporated into paintings or described to tailors in words. A letter dated 1515 and sent by Federico Gonzaga on behalf of King Francis I of France to his mother Isabella d’Este asks her to send a fashion doll to the French court so that copies of her style might be made for the women of France. Imagine owning a fashion doll dating that far back, I would be rich haha.

Bild Lilli doll would be the first fashion doll before the launch of the wellknown Barbie but influence wise Licca-chan had more of an impact on me as a grown woman than Barbie ever did. She gives of the sweet girl in the classroom vibes. Always there to listen and inspire. Mind you, Licca-chan is an 11-year old girl whom competed with the more mature looking Barbie and she still managed to inspire kids to become a DJ, fashion designer or an ambassador.

Licca-chan was launched by Takara (Japanese toy company) in 1967 and created by former shōjo manga (japanese comics targeting an audience of adolescent girls and young adult women) artist Miyako Maki. She enjoy the same popularity in Japan as Barbie does in the US.

In 1966, Takara planned to enter the dress-up doll market taking advantage of the know-how of the plastic process. The initial plan was for the company to plan a dollhouse which could be carried by children, for dressing dolls of other companies like Mattel. The size was larger than expected and the plan was reviewed not suitable for Japanese housing circumstances and children’s carrying. While planning, a fashion doll, in a setting of elementary school, the height 21 cm to fit in the palm was in favor, adopting characteristics of a cartoon girl. Miyako Maki was put in charge of the illustration of the advertisement at the time of release and the advertisement was named as “supervised by Maki-sensei”.

The name “Licca-chan” was decided by the general public offering on the July 1967 issue of the monthly girl manga magazine “Ribon”. Subsequently, the name “Rica” became known as a name that works for both Japanese and foreigners. Two years after the launch in 1969, the dolls were accepted by the Japanese children causing Mattel (makers of the Barbie doll) to move its production base to another country, focusing less on sales in Japan. Licca-chan started exceeding Barbie sales and began to reign as the queen of Japanese dress-up dolls.[9] Despite the popularity, Licca-chan dolls suffered a decline in sales in the 1990s due to rival dolls based on anime like Sailor Moon. In 1996, Licca-chan returned to the top sales of dress-up dolls again.

The best thing about Licca-chan is that they have a special telephone line that little girls can call and hear pre-recorded messages of how Licca-chan is doing and telling the callers little jokes. This telephone line came into fruition after a young girl called the Takara customer service line and wanted to talk to Licca-chan. The representative within a heartbeat she told her: “Yes, this is Licca-chan speaking”. And until this day, girls can speak with her and hear about her day. Very cool Takara.

Modern day dress Licca-chan and Furisode Licca-chan

Through Licca-chan I found myself on a complete different side of Instagram, the Japanese small creators on Minne. Minne is one of the biggest online markets for handmade items and boy they have a ton of Licca-chan sized outfits that makes your heart skip a beat. A real doki doki moment (doki means heart pounding sensation).

Licca-chan in a handmade outfit from Minne joining me on a trip to Amsterdam

Because of her size, she is easy to carry with you for impromptu photoshoots. I have a small toiletries bag where I can safely transport her. Because she has tiny feet, I don’t want to lose her shoes in the abyss called my backpack.

Of the top of my head I have around 10 different Licca-chans. Some a bit more limited than the other. I am normally a remove from box collector but there is two girls that I have not unboxed yet as seen below. For the non-collectors under us, a never removed from box doll with a pristine condition box can have a high market value in the collectors world. But I am not in the hobby for money, I am here for the enjoyment of dressing up these dolls. Ps: I’ve seen insane bidding wars on these types of dolls and it takes the fun out of collecting for me.

Licca-chan Hello Kitty collaboration. Two of my favs in one box, what more can a woman like me wish for
Licca-chan Tokyo Olympics version. I was going to visit Japan that year but Covid hit and the whole world went to shit. I still have a pretty doll in the aftermath.

Official Takara clothes for Licca-chan are inexpensive and the reasoning behind it is that it still a fashion doll for little girls. A ¥ 10.000 (€54) dress is way out of reach for children and teens. And I hope that it stays this way. Many of childrens hobbies have been taken over by adults and sucked the fun out of it for mere hard cash, looking at you Pokemon trading card game.

While I paid €23 for that red furisode (the most formal style of kimono historically worn by young unmarried women in Japan) by an creator on Minne and I hope this person doesn’t sell herself short seeing the quality of fabric and detail put in this dress. There is a long history of creators under valueing their own hard work, in the hope people would still buy their outfits. Come on lads and ladies, you are wizards on the sewing machine, ask your honest price!

Another gorgeous dress by a Minne creator. Licca-chan is my matcha home girl

And now that the weather is getting better, I will be out and about more. So I should take Licca-chan with me more often. Because she deserves the spotlight in my camera roll. Because every day is Licca-chan appreciation day. 🙂